There are however artistic reasons to have a person look in the opposite direction.
Most of the time you will want to have the person walk and look into the picture, so you will allow for more space in front of the person. If the person is completely straight on to your camera (their body and face is pointing right at you), you can compose them perfectly centered in your picture. You don’t always need to have your subject on the side of the camera frame, as sometimes its better to have them in the middle of the picture. When you are photographing people going in a certain direction, allow for more space in front of them than behind them. This photo wouldn’t work as well if she was photographed in the center of the camera frame. The woman is placed on the right third of the photo so the viewer can imagine her walking past the camera. Because she is walking and looking into the picture, we want to allow more space in front of her. In the following photo the woman is roughly on the right third of the picture.
Composure photography how to#
When choosing how to pose people there are many excellent composition principles out their, but possibly the two most important are a centered placement and a thirds placement. If you aren’t in the middle of the room your photo won’t feel balanced. This version below feels much more balanced, and as a result becomes a more effective photograph.ĭon’t forget to stand in the middle of the room with your camera pointing straight forward toward your scene. When your subject is symmetrical, meaning that the left side is equal, or almost equal to the right side, its best to compose your photo as straight on as possible. Do you feel that it’s a well balanced photograph? It obeys the rule of thirds because it has the green wall on the left side, but somehow the picture doesn’t feel right. Is there a section of the photo that stands out, and can be put to one-third of the picture space? If so, the remaining two-thirds of the picture doesn’t need to be split up. When you are composing your photo, imagine a line going through your picture while you are getting your shot ready. Take a look at this photo of New York City: Almost any landscape photo can benefit from the rule of thirds.Īnother interesting aspect of the rule of thirds is that you can break it down into only two sections instead of three. There’s no need to just limit this compositional rule to mountain scenes either. The lines are simply guides to help you balance your photo into three distinct sections. Keep in mind that your own landscape photo doesn’t need to exactly follow the three horizontal lines. Below is a traditionally composed mountain scene where the sky roughly occupies the top third of the picture, the mountains are in the middle third, and the trees occupy the lower third of the picture space.īy dividing up the photo into three equal horizontal lines you can see how the rule of thirds works great for landscape photography. Landscape and scenic photographers can also make use of this rule, but aren’t limited to a tic-tac-toe grid. Remember that it’s the person’s face that should be on either the left or right intersecting points.
Use the tic-tac-toe grid for photographing a person within your horizontal or vertical picture.
If the rule of thirds is applied to this photo (remember the tic-tac-toe grid), the woman’s face perfectly intersects with the upper-right rule of thirds lines. Take a look at this street photo of a woman walking past a graffiti covered wall: This rule works well for people, landscapes, architecture, and nature photography. The rule of thirds is loosely based on a tic-tac-toe grid that you can imagine overlaying your photograph.
Composure photography full#
You’ve probably heard of the rule of thirds but maybe don’t know the full extent of the composition rule, or at least need a refresher. These simple yet powerful guidelines will be a fantastic way to visually express yourself with your camera. This tutorial has 12 easy to understand tips to get you composing the way that the pros do.
Learning the rules of photo composition seems overwhelming to many photographers, but it doesn’t need to be that way.
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